And he brought his fancy beard along with the Swarmatron and Cartridge Organ. It was a lot of fun playing together again, the results often sound quite alien, and at times are reminiscent of early electronic music. Its strange and delightful!
This month’s podcast features Bernhard Wöstheinrich, from Berlin.
Bernhard came to my studio to record before his performance at the Third Tuesdays: Electronic/Experimental Music Night, it was the first time we’d met and we promptly began making sounds together. I find the results of our collaboration have a dream-like quality, as if floating through surreal, ever-changing environments. Be sure to listen in headphones, Bernhard’s sound is amazingly spacious!
This month’s podcast finds me wearing my wormlogo hat and creating deep drones with the Strega Synthesizer and tape.
The Make Noise Strega is one of my recent instrument acquisitions, and I’ve enjoyed exploring its capabilities as a drone machine. These are three of those explorations.
(this is one of the podcasts that i think works best listened to very quietly… or extremely loud.)
I packed up some synthesizers, donned my wormlogo hat and headed over to Sonic Hudson’s studio. We made weird sounds, these are some of them. Listen loudly.
We’re starting off the new year slowly with wormlogo, which is another of my musical personas. I think of wormlogo as being based around synthesizers while Errant Space is more guitar based.
I approached this podcast as I would one of my Remote Variations series; but rather than exchanging tracks with some one else, I exchanged tracks with myself. If you want to hear more of the Errant Space + wormlogo collab check out this album.
This month’s podcast is another in the Remote Variations series, featuring BioMeSS. Its a journey into deep sonic space; ranging from subtle drones to angular blasts of noise and amazing textures.
BioMechanical ShapeShifters (or BioMeSS for short) is the project of Floyd Bledsoe from Trenton, New Jersey. The name has been used for his electronic music experimentations since the early 1990s. The concept is that BioMeSS is not solo but a group consisting of various devices that create the soundwaves. The 2010s saw recordings start to appear on the internet and now there are over 90 albums available on the Bandcamp website with many containing several hours of music each. Styles range from quiet droning atmospherics to chaotic abstract noise and many spaces in between.
This isn’t Floyd’s first appearance on the Errant Space Podcast! He was also part of podcast 59 with Quanum Elf.
This month’s podcast is another in the Remote Variations series featuring Modulator ESP from Nottingham, UK. Its super-spacey, droney stuff!
Modulator ESP is an adventurer in sound. He produces improvised experimental soundscapes, using synthesizers, sampling,sequencing, looping and processing to create strange worlds of sound somewhere between ambient, berlin school, drone, space music and noise.
Here I explore the quieter, more ambient aspects of the sound of Battle of the Ancients; trying to come up with themes, textures and atmospheres that may make their way on to an eventual game soundtrack. (You can find the previous soundtrack I did for Gilded Skull HERE.)
Coincidentally, I often try to produce some sort of weird “imaginary soundtrack” for my Octoberpodcasts that listeners can use to set the mood for their halloweening, and this one suits that purpose well.
The keyboard sounds for this podcast were mostly from some old casios, which I find quite evocative. I recorded them to cassette 4-track to add some extra texture before further digital manipulation.
This month’s podcast is from a July 2020 Space Out, Outside performance featuring Bob Brass, and John Lutz.
It a weird one!! All electronics with plenty of noise and drone, so buckle up and enjoy the ride.