
Its mid-winter here in the Northeast US.
This month’s podcast is a series of solo guitar improvisations; contemplating winterness, and exploring the language of sound.
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Its mid-winter here in the Northeast US.
This month’s podcast is a series of solo guitar improvisations; contemplating winterness, and exploring the language of sound.
Never miss a podcast, SUBSCRIBE! with Apple Podcasts, Feedburner or on YouTube.
This month’s podcast features composer/clarinetist David Rothenberg, who came to the studio with his bass clarinet, field recordings, samples and electronics for an afternoon of sonic exploration. The results of our collaboration are surprising and delightful!
If you enjoyed this podcast, please SUPPORT Errant Space via Patreon.
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This month brings the 100th Errant Space podcast!!
To mark the occasion, I organized a live event featuring eight past podcast participants which took place on July 1, 2023 at the Howland Cultural Center in Beacon, NY.
It was a three hour performance with the performers surrounding the audience, who were encouraged to listen while horizontal. The musicians played in rotating groups of three. This podcast is taken from that performance.
These are the musicians who participated in the experiment:
Al Margolis (piezo micro sounds)
Dean Sharp (processed percussives, samples)
Katie Down (glass and metal instruments, flutes)
Thom Uliasz (TV synthesizers)
Bonnie Kane (saxophone, flute, processing)
Sandy Santra (piano)
Neil Alexander (piano + processing)
Andy Rinehart (piano, accordion)
and me (Craig) (guitar, processing)
We had a fair number of audience members come through during the performance, you’ll hear people moving about on the recording. For best results, listen while laying down, it will almost be like you were there…
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This month’s podcast is a collbo with Scary Mountain Wizard who brought his hybrid modular synth/guitar rig over to the studio for some ambient explorations.
I’m very pleased with this one, it has a nice mellowness and there’s a feeling of gentle exploration. At times it gets very slow, almost to the point of stillness…
If you enjoyed this podcast, please SUPPORT Errant Space via Patreon.
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This month’s podcast is a binaural recording from the July 2022 Space Out, Outside.
It features Bob Lukomski (granular synthesizers, samples) and Irman Peck (conceptual cello/bass guitar).
Its a really beautiful field recording, best experienced in headphones, with subtle interactions between the players, and their environment.
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This month’s podcast is a live solo performance from June 2021 in Goshen, NY at the Orange County Arts Council.
Its a field recording, so you’ll be able to hear the environment where I was playing; there’s a little pond, lots of birds talking, and some traffic. Its nice to post an unedited performance like this as a snapshot of where I am creatively. One of the audience members described it as “sonic acupuncture,” which I think is fitting. I hope you enjoy it!
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This month’s podcast is another in the Remote Variation Series, featuring Anders Nils from Brooklyn, NY. Its very ambient; minimal and droney.
Anders Nils is an electronic musician and producer who primarily focuses on generative ambient music, sound design and instrumental soundtracks. He uses a modular synthesizer, software synths and guitars fed through a wash of delay and reverb effects.
LInks to hear/see more of Ander’s work:
https://www.andersnilsmusic.com
https://www.youtube.com/channel/UCz3XfB2EMyifyfKuRzWzKuA
If you enjoyed this podcast, please SUPPORT Errant Space via Patreon.
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This month’s podcast features sound artist/therapist Katie Down. It was recorded binaurally in Katie’s loft instrumentarium where Katie played flute, and glass and metal instruments. Its always a treat to play with acoustic instruments and Katie creates some amazing sounds and textures on hers! This one is quite immersive and best experienced in headphones for the full binaural effect.
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This month’s podcast is a field recording of a very ambient solo performance at Quiet Village 3.0 which was a backyard show that took place September 27, 2020.
There’s a nice intimacy about this recording; you can hear the squeaks of my chair, the acoustic sound of my guitar and birds flying by. It fits well with the Quiet Village ethos of ambient music blending with the ambience of the environment.
If you enjoyed this podcast, please SUPPORT Errant Space via Patreon.
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This month’s podcast features some beautiful, contemplative improvisations with pianist Sandy Santra. These recordings capture our first time playing together; I think there’s a special quality that comes through as we learn to communicate musically. And it’s always nice to play with an acoustic instrument, as I spend so much time in the world of electronics.
Sandy Santra was born in Pennsylvania in the late 1950s, grew up in the San Francisco Bay Area, attended Reed College in the 1970s, and moved to New York City in 1996. He began playing piano at the age of five, improvising at the age of sixteen, and has recorded and performed as a solo pianist for over forty years. He has played with numerous ensembles on both coasts of the United States, and his new wave band Counter Parts performed all over the Bay Area in the early 1980s. He has also composed and recorded soundtracks for his own short films, and accompanied numerous dance ensembles. Additionally he is a professional photographer [source photo for header image courtesy of Sandy], award-winning filmmaker, and has lectured on technology in New York City and semiotics in London. His videos may be viewed at his YouTube channel, which includes all his performances during the “Play Me, I’m Yours: New York City 2010” piano festival. Sandy currently resides in Hudson Valley and is writing a novel.
If you enjoyed this podcast, please SUPPORT Errant Space via Patreon.
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