This month’s podcast features sound artist/therapist Katie Down. It was recorded binaurally in Katie’s loft instrumentarium where Katie played flute, and glass and metal instruments. Its always a treat to play with acoustic instruments and Katie creates some amazing sounds and textures on hers! This one is quite immersive and best experienced in headphones for the full binaural effect.
This final podcast of 2018 seems like a nice way to close out the year. It’s from a field recording of a Sound/Peace performance (the fourth in an ongoing series) that took place at the Howland Cultural Center in Beacon, NY on November 18, 2018.
Here’s some information about the event from the press release:
SOUND/PEACE (Seeking Harmony in Dissonant Times)
An immersive sonic experience accompanied by the changing light of the setting sun.
This performance features pianist/accordionist Andy Rinehart and bass clarinetist/percussionist J Why, along with members of the Beacon Rising Women’s Choir: Clara Masters, Danielle Andretta, Lisa Mayer and Olga Burger led in the Sound Painting tradition by conductor Gina Samardge, all supported by the ambient guitar soundscapes of Craig Chin. A performance rooted in improvisation, Sound Peace explores the evolving realms of ambient music, minimal music, modern soundscape, and earth music.
Sound/Peace aims to create a serene, contemplative atmosphere for deep listening where one can decompress and relax. The musicians occupy the edges of the space, surrounding listeners in sound. Audience members are free to move about the space, creating their own mix of the performance, and are encouraged to bring pillows or mats.
The performance will take place over approximately one and a half hours as the sun sets with the space illuminated only by natural light. The performance will end as darkness falls.
Learn more about Sound/Peace here. And listen to a podcast from the first Sound/Peace here.