This month’s podcast was recorded at the Cocoon Theatre’s Beckett Festival which took place over two weekends in November, 2016. The title, There is no nothing, is from one of the plays performed, A Piece of a Monologue. Also performed were Not I and The Old Tune.
I played before each performance from the rear balcony of the theatre to establish mood for the audience. This podcast is taken from those pre-show performances. With that in mind, this one is best experienced at low volume in a low light environment.
This month’s podcast (#20!) features the amazing sound artist Jen Kutler who I met at a show at My Life In the Bush of Ghosts. Jen brought over some of her found object instruments (including the Sewing Machine Inductor Synth) for our collaboration and the resulting soundscapes are fantastically otherworldy.
This month’s podcast is for all you halloweeners out there. Put it on loop and add some atmosphere to your halloween party, or use it to creep out trick-or-treaters…
There is a bit of overdubbing on this one, which is a first for the podcast. I added some synthesizers and old casio keyboards, and also some prepared electric bass and pedal steel guitar.
a few of the special guests on this month’s podcast.
This month’s podcast was recorded during Beacon Open Studios on May 22, 2016. It’s super mellow, and may cause extreme drowsiness if listener is horizontal. Do not listen while operating heavy machinery.
This months podcast is from a couple of performances I did at art openings this summer.
The first half is taken from an opening in July at Gallery 66 in Cold Spring, NY of paintings by Stephen Rose. The second half is from an opening of a show by the Beacon Photography Group in August at the First Presbyterian Church in Beacon, NY.
This one is compiled from two summer 2016 performances. The first part is from a Knit In Public Day event at St. Andrews church in Beacon, NY. The second half (starts at 30:18) is from a Music About Art performance I did at the Frances Lehman Loeb Art Center on the Vassar College campus in Poughkeepsie, NY.
Music About Art at The Lehman Loeb. (photos Ophra Wolf)
This month’s podcast is from my first Music About Art performance at the Howland Cultural Center in May 2016. I play at a lot of art openings, which tend to be rather crowded, noisy affairs where my music becomes very much a background element. While I really enjoy playing openings, I wanted to explore the idea of how soundscapes can affect how art is experienced in a more contemplative setting, thus the Music About Art concept was born. As always, the soundscapes are inspired by both the art and the space it occupies. Here is some of the art that was on exhibit:
Clockwise from top left: Paper Dots – Leigh Williams, Suspension – Hiro Ichikawa, Empty Void 05 – Jayoung Yoon, The Hole – EDA
BONUS! here’s some video of the performance shot by Thom Joyce
The second year of the Errant Space podcast kicks off with some fairly mellow, in studio experimentation. All three parts of this one are performed on the baritone guitar, which I’ve been gravitating to lately. I think the little bit of extra low range appeals to me as a bass player. I’ve tried ambient looping using bass guitar, but I find that those low frequencies muddy up pretty quickly, so the baritone guitar is a nice compromise.
And, for those who are interested in such things, here’s a photo of the latest pedalboard setup (with the lower bit of the baritone):
Here it is, the twelfth Errant Space Podcast! And we’re closing out the first year of podcasts with a real doozy! This one features TWO previous guests: Neil Alexander (ES podcast #8) and Dean Sharp (ES podcast #3). We recorded this one at Neil’s monthly Adventures In Electronic Music workshop at Space Create in Newburgh, NY on February 3, 2016. It was a fun evening with a Q&A about looping techniques and gear, followed by a couple of improvised pieces which are presented here as the first three-way collaborations on the Errant Space Podcast. Big thanks to Neil for inviting Dean and me to be part of the workshop. It was a real honor to play with both those guys and I think the end product is a rather fantastic sonic journey.
