This month’s podcast sees the return* of Tom Law, but with a twist!
In addition to being an experimental musician, Tom has an interest in early music and brought along his Viola da Gamba to our session. He incorporated it into his Max/MSP rig and two worlds collided (to weird effect).
Tom Law with Viola da Gamba
We ended up with a wonderfully abstract series of soundscapes which I find very transporting. Best enjoyed in headphones, lying down in a dark room…
This month’s podcast features the violin and voice of Concetta Abbate.
Concetta came up to the studio from Queens, NY on a weird winter day that started sunny and devolved into icy snow squalls. The three improvisations that comprise this recording really seem to capture the feeling of that day.
Concetta Abbate is a classically trained violinist turned improviser and composer. Grammy.com describes her original performances as a mix of “Violin and delicate vocals that float between the worlds of Modern Classical, Neo-Folk, and poignant and poetic verse”. She has released three studio albums exploring art song, avant chamber music and free improvisation.
This month’s podcast is a return to basics. As winter starts winding down I’m reconnecting with the electric guitar as a tone generator, and preparing for live performances again after being in studio mode and getting lost in the world of synthesizers.
I constructed this podcast from five exercises where I explored the sonic and textural palette of my guitar performance rig. It felt a bit like reconnecting with an old friend, and it was nice to be reminded of the strange world of sounds we can create together.
We’re starting off the new year slowly with wormlogo, which is another of my musical personas. I think of wormlogo as being based around synthesizers while Errant Space is more guitar based.
I approached this podcast as I would one of my Remote Variations series; but rather than exchanging tracks with some one else, I exchanged tracks with myself. If you want to hear more of the Errant Space + wormlogo collab check out this album.
This month’s podcast features guitarist Lucas Brode.
Lucas and I have know each other for a while, both of us being oddball musicians based in the Hudson Valley. We’ve had a few live collabos, but I’d never asked him to be on my podcast, because I tend to shy away from playing with other guitarists, perhaps out of a fear of redundancy.
However, our approaches to the instrument are very different, and Lucas is an amazing listener and improviser – I think the combo works quite well. This serves as a reminder for me to keep an open mind; the only way to know if something is going to work is to try it!
Its time for another installment of the Remote Variations Series, this time with Pedeplei from Guadalajara, Mexico. (We were connected via our mutual friend BioMeSS.)
Pedeplei is a project of sound artist, Israel Peña who creates and manipulates sounds in real time. I think of him as a sort of experimental foley artist or field recordist, creating sounds with physical objects then processing, altering and looping them (in real time) to create strange sonic worlds.
Our collaboration produced a real aural feast; with lots of interesting textures and glitchy noises. Listen in headphones for the full effect.
This month’s podcast features my occasional project with Andy Rinehart, OCCULTS.
We create strange, unsettling soundscapes, in this case for Moon, Serpent and Bone’s 3rd Annual Samhain Oddities & Curiosities Night Market where the performance that became this podcast was recorded.
It gets pretty spooky, so keep the lights on and prepare a change of pants…
This month’s podcast features bassist (and synthesist) Irman Peck, from Philadelphia, PA.
Irman was a participant in the Remote Variations series, but this one was recorded live at a Space Out, Outside performance in June 2021.
We covered a lot of ground that afternoon, from contemplative improvisation to weird poly rhythms and textural drones. It’s got something for everyone??
This month’s podcast features synthesist Andrew Neumann from Boston, MA.
Andrew brought out his Buchla Music Easel(!!) for an open-air recording session in my back yard. We got pretty far out, exploring weird sonic textures and terrain. Its a fun trip, enjoy the ride!
Contrary to what his shirt says (and where he lives), Andrew is a West-Coast synthesist.
This month’s podcast features the violin and voice of 
This month’s podcast was recorded on