This month’s podcast is for all you halloweeners out there. Put it on loop and add some atmosphere to your halloween party, or use it to creep out trick-or-treaters…
There is a bit of overdubbing on this one, which is a first for the podcast. I added some synthesizers and old casio keyboards, and also some prepared electric bass and pedal steel guitar.
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This month’s podcast was recorded during Beacon Open Studios on May 22, 2016. It’s super mellow, and may cause extreme drowsiness if listener is horizontal. Do not listen while operating heavy machinery.
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This months podcast is from a couple of performances I did at art openings this summer.
The first half is taken from an opening in July at Gallery 66 in Cold Spring, NY of paintings by Stephen Rose. The second half is from an opening of a show by the Beacon Photography Group in August at the First Presbyterian Church in Beacon, NY.
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This one is compiled from two summer 2016 performances. The first part is from a Knit In Public Day event at St. Andrews church in Beacon, NY. The second half (starts at 30:18) is from a Music About Art performance I did at the Frances Lehman Loeb Art Center on the Vassar College campus in Poughkeepsie, NY.
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Errant Space podcast #15 has something new: beats! courtesy of DJ/producer/electronic musician Reiche.
We met, and exchanged info, back in February 2016 at the Adventures in Electronic Music looping workshop I participated in at Space Create in Newburgh, NY (see ES Podcast #12). A few months later Reiche contacted me about getting together for a collaboration. Following my “the answer is always yes” policy I agreed, even though i had never seen him play ( I did see some videos).
So I didn’t really know what to expect when Reiche showed up at Rude Anagrams Studios with his Roland AIRA gear and Abelton Live set up, but I’m very pleased with the results of our first collaboration! Open up your ears and give it a listen.
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This month’s podcast is from my first Music About Art performance at the Howland Cultural Center in May 2016. I play at a lot of art openings, which tend to be rather crowded, noisy affairs where my music becomes very much a background element. While I really enjoy playing openings, I wanted to explore the idea of how soundscapes can affect how art is experienced in a more contemplative setting, thus the Music About Art concept was born. As always, the soundscapes are inspired by both the art and the space it occupies. Here is some of the art that was on exhibit:
BONUS! here’s some video of the performance shot by Thom Joyce
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The second year of the Errant Space podcast kicks off with some fairly mellow, in studio experimentation. All three parts of this one are performed on the baritone guitar, which I’ve been gravitating to lately. I think the little bit of extra low range appeals to me as a bass player. I’ve tried ambient looping using bass guitar, but I find that those low frequencies muddy up pretty quickly, so the baritone guitar is a nice compromise.
And, for those who are interested in such things, here’s a photo of the latest pedalboard setup (with the lower bit of the baritone):
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This month’s podcast was recorded at the Cocoon Theatre in Poughkeepsie, NY during their Beckett Festival.
I played in the lobby before and after a performance of Samuel Beckett’s Happy Days. The first third of the podcast was recorded pre-show, the last part was after the show. I think its interesting to hear how the play’s performance effected my performance – that Beckett sure does take one to a weird place!
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Another collaboration this month! Featuring Nailgun (the ubiquitous Neil Alexander) on keyboards and assorted tech.
It was an honor to have Neil stop by for some improvised soundscaping. I’d seen him perform a few times, but didn’t really know him beyond that. Turns out he’s a super-nice guy and it was a real joy to make music with him. I’m very much looking forward to collaborating with him again in the future!
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A super-special treat this month!!
Multi-instrumentalist Dean Sharp, came down from Kingston to Rude Anagrams Studio to sit in as special guest on this months podcast. Dean, in addition to being a fantastic drummer, is a producer and soundscapist. He brought his guitar (and mando-guitar!) and a few effects over for a bit of a space out.
The resulting podcast is my favorite yet! Its a bit more soundscape and a bit less ambient than usual, but I think its an amazing audio journey, and I hope you enjoy it.
