This month’s podcast finds me wearing my wormlogo hat and creating deep drones with the Strega Synthesizer and tape.
The Make Noise Strega is one of my recent instrument acquisitions, and I’ve enjoyed exploring its capabilities as a drone machine. These are three of those explorations.
(this is one of the podcasts that i think works best listened to very quietly… or extremely loud.)
This month’s podcast is a live performance recorded at The Friday Experiment at Gateway City Arts in Holyoke, MA. It was an interesting show – an evening of continuous ambient performances featuring Craig Douglas, me and Bonnie Kane. Our sets overlapped by a few minutes, so the end of one performers set would become the start of the next.
Presented here is my portion of the evening. I really like the shape of this one, it covers a lot of sonic territory. That’s why I’ve posted it unedited. Its a good example of what an Errant Space performance can be.
We enter new (sonic) territory this month with percussionist Kevin Cheli.
I’ve always been a bit apprehensive about having a percussionist on the podcast; I could never get my head around how it would work. But, as I keep reminding myself, “there’s only one way to find out!”
So Kevin came to the studio with his vibraphone, percussives and electronics and I think the results are great. There’s a whole new lexicon of textures, sometimes approaching the world of ASMR. Its gets pretty noisy, but there are also melodic moments and lots of beautiful sounds. Open your ears and enjoy the ride.
Xfest was held in August, on a compound near Pond Eddy, NY. There was a basement where, on the morning of day 2, we gathered to do some recording. This podcast is the result.
This month’s podcast features Neonach (Craig Douglas) from Western Massachusetts.
Craig combines vocals, electronics and acoustic instruments to create lush, immersive soundscapes. Our collaboration explores varied sonic topographies and imaginary frontiers…
This month’s podcast is a binaural recording from the July 2022 Space Out, Outside.
It features Bob Lukomski (granular synthesizers, samples) and Irman Peck (conceptual cello/bass guitar).
Its a really beautiful field recording, best experienced in headphones, with subtle interactions between the players, and their environment.
I packed up some synthesizers, donned my wormlogo hat and headed over to Sonic Hudson’s studio. We made weird sounds, these are some of them. Listen loudly.
This month’s podcast sees the return* of Tom Law, but with a twist!
In addition to being an experimental musician, Tom has an interest in early music and brought along his Viola da Gamba to our session. He incorporated it into his Max/MSP rig and two worlds collided (to weird effect).
We ended up with a wonderfully abstract series of soundscapes which I find very transporting. Best enjoyed in headphones, lying down in a dark room…